Sam Raimi really wanted to make a movie about The Shadow or Batman, but when the powers-that-be told him “absolutely not,” he invented his own superhero and made a movie about that guy instead. Darkman, which celebrates its 30th anniversary this year, draws elements from both of those characters and from early gothic horror movies like The Phantom of the Opera to create one of the most unique comic book movies ever made. Its bizarre marriage of operatic drama, slapstick comedy, and genuine pathos set the framework for Raimi’s later Spider-Man trilogy, which in turn provided …