Filmmaker Chloé Zhao is a magician. I don’t use that word to imply that her writing, directing, and editing doesn’t take great effort or that it’s a cheap trick. When I call her “a magician”, it means that the way she’s able to capture humanity without it ever feeling cheap, sentimental, or maudlin, is nothing short of magic. I’m a deeply introverted person who loves my material possessions, and yet her new film Nomadland tempted me into throwing it all away and hitting the open road to converse with fellow nomads. Zhao does this not …