What makes Bong Joon Ho one of our greatest filmmakers is that he’s unafraid to make damning indictments of society without ever coming off as preachy. There are times when he comes perilously close and may even slightly stumble (hi, Okja), but for the most part, he excels at crafting compelling, complicated characters to show our complicity in the systems we rely on for a society that fails all of us. It’s not as simple as “people are bad, so society is bad,” but rather than we are so deeply flawed as individuals that the systems we create …