As Disney continues to burn through its catalogue of animated classics, they’ve failed to justify why these new versions need to exist beyond “IP is a low-risk, high-reward way to cash in on nostalgia and brand recognition.” These movies make a lot of business sense, but as far as an artistic justification, there’s not much there for Beauty and the Beast, Aladdin, and now Jon Favreau’s photoreal adaptation of The Lion King. The template for these movies seems to be to deviate as little as possible from the original narrative right down to dialogue inflection …