Something interesting happens when you sit down to watch all of Illumination Entertainment's feature films; you start to notice peculiar trends appearing. Some of these trends are good, like the studio's polished and consistent animation, the insane amounts of creativity on display, and the sense that these movies exist in modern version of a classic, slapstick cartoon world. However, some of the trends are not so great, like an over-reliance on gibberish and potty humor, the desire to force contemporary pop songs into the narrative, and a strange (and dark) violent streak that has one questioning just …