Jordan Peele’s Get Out shattered both minds and expectations when it hit cinemas in 2017: scoring both a best original screenplay Oscar and bringing a welcome critical eye to a genre that has historically sidelined people of color in favor of white narratives. The young director brought “Black Horror” to new prominence, but as Shudder’s recent documentary Horror Noire proves, Black films and filmmakers have always been a crucial (though not always visible) part of the fright flick landscape. This deep well of genre cinema has championed, explored, or exploited the lot of people of color since the medium’s earliest days, and with Peele’s sophomore effort, Us primed to tear up the box office, now is a perfect time to re-discover the highs and lows of African American Horror cinema that came before.