Just a handful of great reads to listen to!

After Rebel Wilson called out the producers of her new movie for allegedly trying to sabotage it, Boy George shared thoughts.

Some fans will get to listen to Billie Eilish's upcoming album for the first time in an AMC Theatres next week.

Algorithms are often use to predict the success of big screen titles, but Emily Blunt uses Oppenheimer as a reason to fight against the practice.

A great song in a great movie can live forever. These are just a few of our favorite songs from movies that people still love today.

I decided to listen to every Taylor Swift album so far after watching The Eras Tour, and I'm surprised by my new favorite Era.

Bradley Cooper shared that he chats with his daughter while using the bathroom, and I cant be mad at it.

Paul Giamatti has an idea for how he'd play a James Bond villain, and the producers should be taking note.

The Hamilton original cast member speaks to possibly reprising the Broadway role someday.

Steven Spielberg told Michael Bay to only make three Transformers movies, and Bay admits that he should have stopped.

Vin Diesel recently put out a single, and now he's doing a cover of Hamilton.

The Terminator and Luke Skywalker have a message to share.

Do you think Joe Jonas "Burnin' Up" red yet over his wife jamming out to Swift's breakup songs about him?

Were there really better ways to spend your year than with Lin-Manuel Miranda and the Hamilton soundtrack?

We at Collider are happy to share an exclusive track from the original score for the Netflix original animated feature Over the Moon. Directed by Oscar-winner Glen Keane (Dear Basketball) and written by the late Audrey Wells (The Hate U Give), the film tells the story of a determined young girl who builds a rocket ship to the moon to prove the existence of a legendary Moon Goddess. Once she arrives, however, she discovers a whimsical land and is thrown into an unexpected quest. Oscar-winning Gravity and Attack the Block composer Steven Price wrote the original score for …

He's got some thoughts about this ride.

He's got some thoughts about this ride.

We at Collider are thrilled to announce the Enola Holmes soundtrack details for the upcoming Netflix movie. The original score by brilliant composer Daniel Pemberton (Spider-Man: Into the Spider-Verse, Steve Jobs) is available for pre-order today, and you can listen to the first single “Enola Holmes (Wild Child)” below right now. "It’s been a real joy to write music for Enola Holmes and to go back to writing some unashamedly melodic and emotional orchestral music – coupled with a nice level of messy quirky oddness thrown in as well,” said Pemberton in an exclusive statement to Collider. “…

We got a new look at Wonder Woman 1984 at DC FanDome this weekend courtesy of a brand new trailer, but now it’s time to hear Hans Zimmer’s original score for the superhero sequel for the first time. Rupert Gregson-Williams composed the score for the first Wonder Woman movie, but of course Zimmer is responsible for composing the original Wonder Woman motif for her first appearance in 2016’s Batman v Superman: Dawn of Justice. Back in 2018, Zimmer told us in an interview why he decided to take on the full score for Wonder Woman 1984: “…

We at Collider are happy to exclusively bring you a preview of one of the most anticipated video games of the year: Assassin’s Creed Valhalla. Below, you can listen to the track “The Sceptered Isle” from composer Sarah Schachner’s score for the game, which will be released on November 17th by Ubisoft. Assassin’s Creed Valhalla takes place in 873 CE and recounts an alternative history angle of the Viking invasion of Britain. The lead character is Elvor, a Viking raider who was raised on tales of battle and glory. Schachner is no stranger to the franchise having …