Paul Thomas Anderson's film The Master does and doesn't align with the teachings of the real-life religion, Scientology, started by L. Ron Hubbard.
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When Jurassic Park came out in 1993, much of the “science” it based its premise on was an amalgamation of fictitious concepts rooted in factual Paleontological research. It’s what made the book it was based on by Michael Crichton so hard to put down; so much of it seemed actually plausible. Could dinosaur DNA actually be combined with the frog DNA of today to create new life? Did Brachiosauruses move in herds? Did Velociraptors hunt in packs?
Since its inception with the advent of Arrow, The CW’s Arrowverse has explored several facets of the DC Universe. In some ways, the franchise’s exploration feels incredibly faithful to the source material from which it is derived. In other ways, however, the Arrowverse has evidently taken several liberties with regard to DC mythos. Often, the liberties taken culminate in something refreshing, fascinating even. Characters that were previously of little significance have become far more interesting and risen in popularity courtesy of the Arrowverse's giving them a moment to shine. Thus far, this has been true of heroes, villains, and everything in between. In addition to changing the status quo with certain aspects of DC lore, The CW’s shared universe of superhero shows has also introduced a number of original characters, a few of whom have made their way into the comics.