The best creature features use their beasties as stand-ins for something deeply human, a narrative quirk mined to perfection in writer/director Jim Cummings' pitch-black horror-comedy The Wolf of Snow Hollow. The werewolf carving up local women in the small, wintery Snow Hollow is the monstrous embodiment of the impossible expectations bearing down on its sheriff, John Marshall (Cummings), already juggling law-enforcement with an ailing father (Robert Forster), rebellious daughter (Chloe East), and alcoholism threatening to rear its ugly head far more often than the full moon. Add a werewolf to the mix and its no …