Lupita Nyong'o recalled the moment she found out she was namechecked in a Beyoncé track, and how important the song was to her.
DC went above and beyond to stop details of Matt Reeves' The Batman leaking as star Paul Dano revealed he was given a lockable binder with a tracking device to keep movie documents safe.
With Fast X shifting gears with a new director, Vin Diesel has taken time out to speak to the fans about the beginning of the end.
Ryan Reynolds had all the praise for Blake Lively ahead of Mother's Day, and I can't get enough of this couple.
To be fair though, anybody can find Ariana Grande at Epcot every day if they're willing to look.
No Time To Die drops a huge reference to a James Bond classic through Hans Zimmer's score.
Fantastic Beasts star Katherine Waterston recently shed some light on the difficulties of working in such a large franchise.
Looks like Wicked is moving on after losing some talent behind the camera.
Kate Winslet filmed the Avatar sequels together, and even she got confused.
Being the To All The Boys I've Loved Before heartthrob has its downsides.
Does Billie Eilish's song have what it takes to last forever?
The long-gestating project is morphing into something new.
The Marvel newcomer just brought the heat in his competition with Ryan Reynolds.
We at Collider are happy to share an exclusive track from the original score for the Netflix original animated feature Over the Moon. Directed by Oscar-winner Glen Keane (Dear Basketball) and written by the late Audrey Wells (The Hate U Give), the film tells the story of a determined young girl who builds a rocket ship to the moon to prove the existence of a legendary Moon Goddess. Once she arrives, however, she discovers a whimsical land and is thrown into an unexpected quest. Oscar-winning Gravity and Attack the Block composer Steven Price wrote the original score for …
Right now, one of the best new animated series of the year is playing out its final episodes on Netflix. Kipo and the Age of Wonderbeasts, an original creation from Radford Sechrist and Bill Wolkoff through Dreamworks Animation, is a vividly colorful, post-apocalyptic adventure story that elevates the power of friendship and understanding above hatred, fear, and intolerance. It's also got a bumping soundscape that makes each and every episode a joy to behold and to listen to! Be sure to read Rafael Motamayor's review of the third and final season here. As an exclusive send-off …
If you're trying to make an iconic song, it's a good place to start.
The happy haunts have received your sympathetic vibrations and are beginning to materialize.
We got a new look at Wonder Woman 1984 at DC FanDome this weekend courtesy of a brand new trailer, but now it’s time to hear Hans Zimmer’s original score for the superhero sequel for the first time. Rupert Gregson-Williams composed the score for the first Wonder Woman movie, but of course Zimmer is responsible for composing the original Wonder Woman motif for her first appearance in 2016’s Batman v Superman: Dawn of Justice. Back in 2018, Zimmer told us in an interview why he decided to take on the full score for Wonder Woman 1984: “…
Followers: 0