Ahead Of Mufasa: The Lion King, We Talked To The Editor About The Epic Chase Sequences And Seeing It In IMAX

Saw X's creative team discusses freaking people out about discussing gory scenes, as editor recalls having the cops called on him.

An Australian newspaper responds to accusations of attempting to "out" the Pitch Perfect star.

The op-ed at the center of Johnny Depp's defamation lawsuit against Amber Heard now includes an Editor's Note.

No Time to Die editor Elliott Graham revealed an unheard story about Daniel Craig being in tears after watching a screening of his final Bond film.

Dune is a long movie, but there's a reason for that.

The editing room almost presented a huge challenge to how No Time To Die told its story.

Marcia Lucas is not a fan of what Disney did with the Star Wars Sequel Trilogy.

The Suicide Squad we saw in theaters was quite different from what was originally envisioned.

Now if only we could see it.

Lowkey, Jennifer Lame has been editing all of your favorite films for some time now. Manchester by the Sea, Hereditary, Marriage Story — her work thus far has been smart, contained, character-driven, and intimate. It was all of these qualities and more that caught the attention of Christopher Nolan, who hired on Lame to edit his upcoming Tenet when his regular editor Lee Smith was booked up with 1917. This would, by far, be the biggest production Lame worked on to date — and Nolan was blunt with her about the canvas she'd be cutting. In an interview with ICG …

He's heard it before.

Star Wars: The Last Jedi is an incredible film. Let’s get that out of the way first and foremost. It’s a thematically rich, emotionally challenging, and supremely satisfying Star Wars story, and pound for pound stands as the best of the new-era Star Wars movies. Not everyone feels this way, of course. And while director J.J. Abrams—who helmed the first and third installments of this new trilogy—has been politely diplomatic about The Last Jedi, his longtime editor recently claimed on a podcast that Episode VIII “undid” the storytelling of The Force Awakens. Appearing on …

Oh, this won't even be a little bit controversial.

There's more to unpack from Cats' production besides the Butthole Cut.

Christopher Nolan's frequent collaborator still remembers what it was like to watch Heath Ledger play the Joker.

Oscar-winning film editor Lee Smith likes puzzles. And it shows. The guy responsible for piecing together timeline-shifting head-scratchers like Inception, Dunkirk, and Interstellar has a knack for crafting complex narratives in ways that make sense, and while it may come as an initial surprise that he’s who director Sam Mendes called to edit his one-shot movie 1917—which is out on Digital HD starting today—once you hear what went into actually putting 1917 together editorially, you’ll understand why he was the perfect man for the job. 1917 presents a World War I-set …

Spoiler alert: they totally did!

…

The Warner Bros. film Joker, which racked up 11 Oscar nominations last week, is not your traditional comic book adaptation. That’s true of not just the narrative of the film—in that it’s a character study more than a set piece-driven story—but also the filmmaking and construction of what we see onscreen. Director/co-writer Todd Phillips pushed for a gritty, naturalistic aesthetic that reflected the world inhabited by Joaquin Phoenix’s Arthur Fleck, and everything we see in the film is from Arthur’s point of view. Indeed, subjectivity plays a major role as the …