There's at least one Oscar Dune: Part Two can't win.

The world of movie scores is more than John Williams, Hans Zimmer, and James Horner; as shown in this list of further cinematic talents.

When randomly reflecting on his work with No Time To Die, Hans Zimmer took the death of 007 and turned it into something that's actually pretty funny.

Composer Hans Zimmer details what clued him into director Denis Villeneuve's love of Dune.

No Time To Die drops a huge reference to a James Bond classic through Hans Zimmer's score.

When you hear it, you'll know it.

If you were to stop someone on the street and ask them to name any film composer, their answer would likely be John Williams or Hans Zimmer. Indeed, with 169 credits to his name, Zimmer is one of the most prolific film composers of our time, and also one of the most memorable. From the “BRAHHHMMMM” of Inception to the emotional swells of The Thin Red Line, Zimmer’s work has transcended the cinema time and time again to become part of the pop culture lexicon. But one of the qualities of Zimmer’s work that doesn’t seem to …

We got a new look at Wonder Woman 1984 at DC FanDome this weekend courtesy of a brand new trailer, but now it’s time to hear Hans Zimmer’s original score for the superhero sequel for the first time. Rupert Gregson-Williams composed the score for the first Wonder Woman movie, but of course Zimmer is responsible for composing the original Wonder Woman motif for her first appearance in 2016’s Batman v Superman: Dawn of Justice. Back in 2018, Zimmer told us in an interview why he decided to take on the full score for Wonder Woman 1984: “…

Just looking at the Netflix logo puts a sound in your ear, right? "Ba-dum." The iconic two-note pop of sound that accompanies the splashy, colorful Netflix logo before a Netflix original starts streaming away for your pleasure (heck, in these pandemicy times, this sound might be the only constant we have left). It's simple, quick, to the point, and originally had a goat bleat attached to it (a wonderful fact per the Twenty Thousand Hertz podcast). But when Netflix films like Marriage Story, Roma, or The Irishman play in movie theaters (remember movie theaters? Wistful sigh...), a …

Just when you thought it was safe to release a movie driven hit single...

Veteran composer Hans Zimmer is getting experimental with his score for Denis Villeneuve’s highly-anticipated Dune adaptation, to the point where it’s apparently pissing people off. In an interview with Variety, Zimmer discussed a number of the projects he’s been working on, including the science fiction epic and the latest James Bond film No Time to Die. (As of right now, he’s scored 7 different films that are all still due to be released this year, which is a crazy output in a normal year, let alone one in which everything got shut down by a …

He's practically singing her praises.

The score to the new James Bond film No Time To Die will now be composed by Hans Zimmer.

Hans Zimmer is the go-to guy for epic movie scores, which one is his masterpiece?

In a bit of shocking and unfortunate news, No Time to Die has lost its composer mere months before the film is due to be released. The 25th Bond film suffered setbacks throughout its development as Danny Boyle was originally onboard to direct based on an original idea he hatched with John Hodge, only for the duo to exit over creative differences a few months before filming was due to begin. The film’s producers went back to the drawing board and enlisted Cary Joji Fukunaga to take the helm, but this time with a new script that includes work …

Sources say Hans Zimmer has been brought in to work on the score after the departure of Dan Romer.

Hans Zimmer is reportedly scoring No Time to Die, serving as a last-minute replacement for composer Dan Romer on the upcoming James Bond movie.

Hans Zimmer has been responsible for some of the most iconic movie soundtracks of all time. Here are 10 of his best, ranked!

Don’t worry, film nerds. The state of the Christopher Nolan/Hans Zimmer union is still strong. One of the most fruitful director-composer relationships of the last decade or so is certainly Nolan and Zimmer, with works like Interstellar and Dunkirk experimenting with the cinematic (and sonic) form to phenomenal results while Inception and the Dark Knight Trilogy straight-up influenced an entire generation of blockbuster music composition (for better or worse...). But for the first time since 2006’s The Prestige, Nolan will be working with a composer other than Zimmer on his next film, the globe-spanning …